Terror Tracks reinterprets essential horror film scores through electronic music and synchronised live visuals. Synthesizers, rhythm machines and manipulated film fragments collide in a performance built to be seen loud — somewhere between a concert, a screening and a recovered transmission.
01 — ELECTRONIC MUSIC02 — SYNCHRONISED VISUALS03 — LIVE PERFORMANCE
THE PEOPLE BEHIND THE SIGNAL
VISUAL OPERATORTT / 01
THE ADJUSTER
EMILIO G.R.
A video-store employee for many years, with a deep love of cinema in general and horror in particular.
Through his film website, El Primo de Ridley Scott, he co-founded Terror Tracks with Marcos Arévalo. He translates Zokram's winding, dark melodies into images.
LIVE SOUNDTT / 02
ZOKRAM
MARCOS ARÉVALO
An independent producer and musician with a passion for synthesizers and samples of unusual sounds.
He is responsible for performing the Terror Tracks soundtrack live.
03 / 07
LIVE EXPERIENCE
SOUND BECOMES IMAGE.
Every live set is built as one continuous transmission. The music is performed and reshaped in real time while edited visual sequences react to its rhythm, tension and release. No two screenings feel exactly the same.
▶
EXTERNAL VIDEO BLOCKED
LIVE AT SALA CARACOLCONCERT TRANSMISSIONVISUAL OUTPUTSYNC LOCKED
THE SCREEN IS NOT A BACKDROP. IT IS THE SECOND PERFORMER.
02:13:24:17
04 / 07
TRACKS / REINTERPRETATIONS
SELECT A TAPE.
Six films. Six sonic doors. Stream the archive and enter.
01
TT–011978
HALLOWEEN
A cold, minimal pulse rebuilt for machines, shadows and the shape at the edge of the frame.
0:000:00
02
TT–021979
PHANTASM
Dreamlike dread, silver spheres and funereal synths rebuilt as an electronic passage to another world.
0:000:00
03
TT–031982
TENEBRE
Razor-edged rhythm, fractured light and relentless arpeggios recut into a pulse of modern menace.
0:000:00
04
TT–041983
CHRISTINE
Chrome, combustion and wounded romance rebuilt as a nocturnal machine pulse with a mind of its own.
0:000:00
05
TT–051985
DEMONS
Neon cinema rot, metallic percussion and feverish synths turn the screening room into a ritual.
0:000:00
06
TT–061982
THE THING
Sub-zero drones, cardiac bass and unstable signals isolate the listener inside an arctic transmission.